Add the song from your device
Choose MP3, WAV, FLAC, M4A, AAC, or OGG. Free uploads support 30MB and 6 minutes; the paid path supports 500MB and 20 minutes.
Split a song online
Turn one finished song into vocals, drums, bass, and other without installing audio software. Choose the section you care about, hear a free preview, and unlock the whole song only when the result fits your project.
Separation job
Outputs vocals, drums, bass, and other.
Secure upload → AI separation → Preview → Download. Free previews use up to 75 seconds around your selection; 1 credit processes the full track.
Choose MP3, WAV, FLAC, M4A, AAC, or OGG. Free uploads support 30MB and 6 minutes; the paid path supports 500MB and 20 minutes.
The free job processes up to 75 seconds around your selection, then lets you compare the original with vocals, drums, bass, and other.
One credit processes the full track and unlocks four core stems plus instrumental, drumless, and bassless mixes in your selected format.
These recordings are licensed under CC BY 4.0. Compare each available result with its original at the same timestamp. User uploads remain private and are never added here.
Pop / 0:30
Switch tracks to compare the same point in the 30-second excerpt.
"Bummin on Tremelo" by Kevin MacLeod (incompetech.com), licensed under CC BY 4.0.
Creative Commons Attribution 4.0 license · Source recording excerpted to a 30-second preview by StemSlice.
Contemporary / 0:30
Switch tracks to compare the same point in the 30-second excerpt.
"Ether Vox" by Kevin MacLeod (incompetech.com), licensed under CC BY 4.0.
Creative Commons Attribution 4.0 license · Source recording excerpted to a 30-second preview by StemSlice.
Jazz / 0:30
Switch tracks to compare the same point in the 30-second excerpt.
"Secret of Tiki Island" by Kevin MacLeod (incompetech.com), licensed under CC BY 4.0.
Creative Commons Attribution 4.0 license · Source recording excerpted to a 30-second preview by StemSlice.
Rock / 0:30
Switch tracks to compare the same point in the 30-second excerpt.
"Exhilarate" by Kevin MacLeod (incompetech.com), licensed under CC BY 4.0.
Creative Commons Attribution 4.0 license · Source recording excerpted to a 30-second preview by StemSlice.
Electronica / 0:30
Switch tracks to compare the same point in the 30-second excerpt.
"Townie Loop" by Kevin MacLeod (incompetech.com), licensed under CC BY 4.0.
Creative Commons Attribution 4.0 license · Source recording excerpted to a 30-second preview by StemSlice.
Jazz / 0:30
Switch tracks to compare the same point in the 30-second excerpt.
"Faster Does It" by Kevin MacLeod (incompetech.com), licensed under CC BY 4.0.
Creative Commons Attribution 4.0 license · Source recording excerpted to a 30-second preview by StemSlice.
Start with the musical section that matters, then keep the full aligned package only when the preview suits the project.
No model picker or desktop setup. Upload a song, audition its separated parts, and decide from the actual source you plan to use.
Keep the vocal, remove it for a backing track, solo the rhythm section, or import all four aligned stems into an editor.
Vocals, drums, bass, and other instruments are exported as separate files you can drop into a DAW.
Paid downloads support WAV, FLAC, and 320kbps MP3 without watermarking. WAV and FLAC are workflow-friendly conversions from the separated MP3 audio.
Uploads and generated results are encrypted in storage. The page shows the access deadline, including the later deadline granted after a paid result becomes ready; automated cleanup removes expired objects afterward.
Buy credits once and use them whenever. One complete 7-file package costs 1 credit.
Use plain listening checks for karaoke, practice, arrangement study, and a first remix sketch.
A song splitter is the practical version of a stem-separation workflow: add one finished song and receive vocals, drums, bass, and the remaining instruments as aligned files. You do not need to know how a source-separation model is trained or how multitrack sessions are organized. The useful question is whether the separated parts help with the job in front of you. Start with a 30-second excerpt from a musically important section, switch between the original and each result, and only unlock the complete song when the preview answers that question.
For a quick karaoke rehearsal, the instrumental result combines drums, bass, and other while leaving the predicted vocal out. Check the first entrance, a busy chorus, a quiet verse, and the ending after the full result is ready; those moments reveal different kinds of vocal residue. Keep in mind that backing vocals, vocal reverb, and instruments occupying the same frequencies can affect the result. A browser workflow is convenient for deciding whether the track is usable, while public performance, streaming, or commercial distribution still requires the appropriate permission for the underlying song and recording.
Musicians can use one job in several ways. A bassist can solo the bass line, a drummer can compare the kit against the full arrangement, and a singer can lower the vocal while keeping the accompaniment intact. Because every result shares the same source start, the files remain aligned when imported together. Do not trim silence from one stem before the others or normalize every file independently; either change can make a correct split appear out of time or unbalanced. Preserve an untouched copy, then create practice versions for the instrument, section, and tempo you actually need.
A remix rarely needs every possible edit on the first pass. Use the free preview to test the hook, drop, breakdown, or transition you expect to reuse. Listen for stable vocal consonants, drum transients, bass note definition, and instruments that leak between predictions. If the passage survives that check, one credit processes the complete track and unlocks four core stems plus instrumental, drumless, and bassless mixes. This approach keeps experimentation lightweight: reject an unsuitable source after the preview instead of spending time downloading and organizing a full package that will not enter the session.
Vocals can include lead, doubles, harmonies, breaths, and vocal effects. Drums generally contain the kit and much of its room sound. Bass targets the main low-frequency instrument, while other collects guitars, keyboards, strings, synths, effects, and anything not assigned to the first three groups. These are predictions from a mastered mix, not access to the original studio multitracks. Shared reverb or overlapping timbres may appear in more than one file. Naming the parts accurately makes it easier to decide whether to solo, mute, recombine, or edit them.
MP3-320 is compact for rehearsal phones, messaging, and quick listening. WAV is widely accepted by editors and DAWs, while FLAC reduces storage size without adding another lossy encode. The separation service returns compressed model audio, so converting that result to WAV or FLAC improves workflow compatibility but cannot restore detail already absent from the prediction. Long songs also take more time and space to convert. Pick one format based on where the files go next, download the approved package once, and keep the ZIP with the source name and project notes.
A clean studio master usually gives the model clearer boundaries than a clipped phone recording, a low-bitrate repost, or a live capture full of crowd noise. Heavy distortion, wide reverbs, layered vocals, and instruments sharing the same pitch range can still create audible overlap. That does not make every result unusable: light bleed may disappear inside a rehearsal mix while missing transients can matter greatly for sampling. Judge the exact section and intended use rather than treating one demo, genre, or marketing label as a guarantee for every song.
The free job processes up to 75 seconds around the excerpt you select and returns a 30-second listening window. Put that window over the chorus for karaoke, the groove for instrument practice, or the transition for a remix. A successful preview does not spend a credit. If it is useful, one credit starts full-track processing and unlocks the complete seven-file package; credits bought in one-time packs do not expire, and a failed full-track job automatically returns its reserved credit.
A 30-second excerpt is a purchase check, not proof that every verse and ending behaves identically. After full-track processing, listen across the complete arrangement and confirm that the seven exported files have matching duration and start time. The page displays the file deadline; source and free-preview files normally expire 24 hours after job creation, while a later paid result remains accessible until at least 24 hours after it becomes ready. Download the approved package before that deadline.
1 credit unlocks 4 stems plus drumless, bassless, and instrumental mixes. Previewing, listening, and failed processing jobs do not consume credits.
Answers for free limits, formats, privacy, copyright, and download quality.
Upload a supported audio file, choose a 30-second section, and start the free preview. The result lets you compare vocals, drums, bass, and other at the same timestamp before deciding whether to process the whole song.
Yes. The free path accepts files up to 30MB and 6 minutes and processes up to 75 seconds around your chosen excerpt to make a 30-second preview. It does not use a credit.
One credit processes the complete song and unlocks four core stems—vocals, drums, bass, and other—plus instrumental, drumless, and bassless mixes. If full-track processing fails, the reserved credit is returned automatically.
Yes. Use the instrumental for singing, solo an instrument for transcription, or recombine aligned stems for a custom practice mix. Public or commercial use still requires the appropriate rights to the song and recording.
Credits from one-time packs do not expire. Audio files are temporary: source and free-preview files normally expire 24 hours after job creation, and a paid result remains available until at least 24 hours after it becomes ready. The job shows the exact deadline.
Extracted stems remain the property of the original rights holders. Commercial use requires their permission.